Dis-patch festival was founded in 2002 as continuation of the activities of the Belgradeyard Sound System collective, an independent organization dedicated to the promotion of new music tendencies, related art practices and the advancement of the local music and art scene through creating links between Serbian artists and audiences and established artists from around the world.
Stress is put on music, educational, art and design projects (workshops, seminars, lectures, panels, screenings...) walking the thin line between sound and image. In this context, Dis-patch School for new media manipulation was initiated in 2004, with a free admission workshop program focusing on video production and history of "synasthetic art". Although electronic music is, generally speaking, very present on the Serbian cultural scene, most of the events are restricted to a more entertainment oriented, “club” approach. The conception of the Dis-patch festival is to fill the blanks made by this practice, present emerging artists and technologies and foster audience participation and involvement of the local contemporary arts/music/new media scene.
The festival explores the secret potentials of its surrounding by occupying several different venues over the course of one event, providing a strong community aspect and involvement of different cultural actors and insititutions on the Serbian scene. Altogether we have used more than 15 different locations in Belgrade.
In recent editions, more and more focus is put on comissioned work and special performances, artist in residence and focus programs, installations, (live) cinema, workshops, screenings and, finally, children's program which will involve 5-12 year olds from Belgrade in music workshops, instrument building courses, musical games and concerts. We also put up panels, lectures and artists' presentations and educational programs from the fields of copyrgiht/music industry, live performing, live video, maxMSP/jitter, music hardware etc.
The festival attracts a number of visitors from the surrounding countries each year. We will continue to explore the relationships and gaps between creativity and technology, and use the event as a creative force, providing a setting for new experiences and epiphanies to occur.
Stress is put on music, educational, art and design projects (workshops, seminars, lectures, panels, screenings...) walking the thin line between sound and image. In this context, Dis-patch School for new media manipulation was initiated in 2004, with a free admission workshop program focusing on video production and history of "synasthetic art". Although electronic music is, generally speaking, very present on the Serbian cultural scene, most of the events are restricted to a more entertainment oriented, “club” approach. The conception of the Dis-patch festival is to fill the blanks made by this practice, present emerging artists and technologies and foster audience participation and involvement of the local contemporary arts/music/new media scene.
The festival explores the secret potentials of its surrounding by occupying several different venues over the course of one event, providing a strong community aspect and involvement of different cultural actors and insititutions on the Serbian scene. Altogether we have used more than 15 different locations in Belgrade.
In recent editions, more and more focus is put on comissioned work and special performances, artist in residence and focus programs, installations, (live) cinema, workshops, screenings and, finally, children's program which will involve 5-12 year olds from Belgrade in music workshops, instrument building courses, musical games and concerts. We also put up panels, lectures and artists' presentations and educational programs from the fields of copyrgiht/music industry, live performing, live video, maxMSP/jitter, music hardware etc.
The festival attracts a number of visitors from the surrounding countries each year. We will continue to explore the relationships and gaps between creativity and technology, and use the event as a creative force, providing a setting for new experiences and epiphanies to occur.
Ostatnie dzienniki
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Nikola Nežit - BETH
przez Nezzit |
28 XII 2011
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Tonight! TodaysArt Session #5: Nordic Sounds - Svarte Greiner, Blamstrain, Yagya,…
przez todaysart |
28 X 2011
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Nemanja Lazic - Past Life Memories (youtube)
przez qwermusic |
10 VII 2011
|
1 komentarz
Wykonawcy tygodnia
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Shoutbox
Dis-patch Festival - radio grupowe
Najnowsi członkowie (154)
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Nemophore
Sobota rano
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Zartzinfect
w zeszłym miesiącu
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veronika_burnt
Kwiecień 2012
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alexeiivantsov
Kwiecień 2012
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hris_
Listopad 2011
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markojevtic
Październik 2011
Ostatnia aktywność
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Nemophore dołączył do grupy. Sobota rano
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Zartzinfect dołączył do grupy. w zeszłym miesiącu
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Usunięty użytkownik opuścił grupę. Kwiecień 2012
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veronika_burnt dołączyła do grupy. Kwiecień 2012
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alexeiivantsov dołączył do grupy. Kwiecień 2012
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thrion opuścił grupę. Luty 2012
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Nezzit dodał artykuł Nikola Nežit - BETH do tej grupy. Grudzień 2011
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hris_ dołączyła do grupy. Listopad 2011
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Usunięty użytkownik dołączył do grupy. Listopad 2011
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todaysart dodał artykuł Tonight! TodaysArt Session #5: Nordic Sounds - Svarte Greiner, Blamstrain, Yagya,… do tej grupy. Październik 2011
Wydarzenia
- X 21 Elevate 2010 - Festival for contemporary music, art and political discourse Dom im Berg, Graz, Austria
- X 7 Dis-patch Festival 2010 Various venues, Belgrade, Serbia
- IX 16 YARDSTYLE / Dis-patch PROMO PARTY @ Gun Club secret outdoor location, Belgrade, Serbia








